•OriginalNoise.Org
the players 
Bass.guitar
“Without the Fender bass, there’d be no Rock N’ Roll … And no Motown.
“Come On, Come Over”
Mass Mental w/ Robert Trujillo, Flea
2018 — Jaco Original Soundtrack
((( Doom )))
Robert Trujillo (Metallica) — Armand co-produced, and played on the soundtrack of the documentary film about the life and musical times of Jaco Pastorius, the electric bassist and native Floridian, who changed the world’s understanding of the bass guitar, an instrument that until then had played a mostly supportive role. Jaco brought the bass guitar to the fore, and his time in Weather Report, took it to another level, into the harmonic stratosphere, and exploring the limits of outer musical space.
North Florida Jam (1982)
Jaco Pastorius (bass) w/ The Dixie Dregs
Steve Morse (guitar)
(((>>>)))
Jaco Pastorius (1980)
When talking, about the importance of a 1957 Fender Precision Bass guitar, Quincy Jones is specifically thinking of the instrument played by Funk Brother James Jamerson, MOTOWN’S BASS GUITAR.
Jaco Pastorius
Ron Carter
Ray Brown
Stanley Clarke
Doug Wimbish
Marcus Miller
Victor Bailey
Foley
Jimmy Haslip
Anthony Jackson
Alphonso Johnson (Moon Shadows)
Robert Lee “Pops Popwell
Leland Sklar
Tony Levin
Billy Cox
James Jamerson
Larry Graham
Bootsy Collins
T.M. Stevens
Jack Bruce
John Entwistle
Geezer Butler
Robert Trujillo
Armand Sabal-lecco
Jamaaladeen Tacuma
Benny Reitveld
Mike Watt
Stu Hamm
Carl Carter
Aalics Bronson
Richie Goods
David Pastorius
Jeff Berlin
Rhonda Smith
Michele Ndegeocello
Tal Wilkenfeld
Esperanza Spalding
rising low
Warren Haynes (Gov’t Mule)
Matt Abts (drums)
Flea
Les Claypool
Roger Glover
Bootsy Collins
Billy Cox
Jack Bruce
John Entwistle
Phil Lesh
Chris Squire
Mike Watt
Rick James v Ron Carter
The Super Freak and The Distinguished Gentleman
Lea DeLaria (bass/lesbian/comedy)
Smothers Brothers
Dick (bass)
Tom (guitar)
bass of doom
Jaco Pastorius
trio of doom
Jaco w/ Steve Morse (Fort Lauderdale)
Jaco w/ Ian Hunter (All American Alien Boy)
Mick Ronson (David Bowie)
Joni Mitchell
Miles of Aisles
Pat Metheny
Robben Ford
Tom Scott
L.A. Express
CoLors*…
This is a Voyage into Sound.
inst. of change [THE ELECTRIC GUITAR]
the players
[INSTRUMENTS] OF NOISE.
take it to the bridge
The Original Color of Sin [BLUE.]
inst.ruments
TRUMPET
GUITAR
BASS GUITAR
DRUMS
KEYBOARDS
SAXOPHONE
VIOLIN
TURNTABLE
OTHERS
Bass.
guitar.
1-17 Special
Ron Carter
(((>>>)))
yT.
[FROM THE TOP]
Ron Carter — “1-17”
Bassist in Miles Davis’ “Second Great Quintet” (1963-1968)
Living Colour — “Release The Pressure”
In Living Colour’s 2001 (Post Apocalyptic) reunion tour, “Release The Pressure” was the tune that showcased bassist Doug Wimbish.
“Bring It On Home To Me” — Doug Wimbish playing an instrumental version of Sam Cooke’s Civil Rights era hit,
Stanley Clarke — NPR (Tiny Desk)
Evan Garr (violin) — Drove up from Detroit in his ailing ’92 Honda Prelude. Violin in the car hoping to meet one of his most influential, musical idols. Listening to Al Di Meola’s Elegant Gypsy album, as a kid, taking lessons, Evan had always dreamed of the day he might meet Al, and his playing a show in Toronto, … Violin in the car he was driving on a wish and a prayer. A chance meeting with Gumbi Ortiz outside the club, when he arrived. Taken in to meet Al, and played “Mediterranean Sundace” for him in the dressing room. Al was impressed, and asked Evan if he’d like to join the band onstage? Evan’s answer was “YES.”
WIMBISH JAM — An all-star cast of electric bass players visited the Berklee College of Music’s Steve Bailey, Bass Department Chairman, and in front of classroom of students, took turns improvising on top of a Doug Wimbish tune called “Swirl.” “Swirl,” itself, was an improvisation Wimbish played in a Prague studio, just before shutting off the lights and locking up after finishing his 2008 record, CinemaSonics.
Bass Summit II
October 8th, 2015
Thursday (1:00 pm) at Berklee College of Music
Lawrence & Alma Berk Recital Hall (1A)
1140 Boylston Street, Boston, MA 02215
featuring:
Doug Wimbish (bass)
Janek Gwizdala (bass)
Gary Willis (bass)
Victor Wooten (bass)
John Patitucci (bass)
Steve Bailey (bass) Berkley Bass Chair
Byron Pickett (drum set)
Doug Wimbish w/ Marcus Miller
In a familiar moment at the annual National Association of Music Manufacturers (NAMM) Convention, Doug Wimbish and Marcus Miller stand for a fan who later posted the picture on FaceBook.
James Jamerson
Larry Graham
Bootsy Collins
Marcus Miller
Stanley Clarke
Jimmy Haslip
Doug Wimbish
T.M. Stevens
the bass of doom
Jaco Pastorius
Jaco w/ Steve Morse (Fort Lauderdale)
Jaco w/ Ian Hunter (All American Alien Boy)
Mick Ronson
Joni Mitchell
Miles of Aisles
Pat Metheny
Robben Ford
Tom Scott
L.A. Express
1-17 Special
Ron Carter
(((>>>)))
“Verses From The Abstract”
A Tribe Called Quest w/ Ron Carter
Low End Theory
(((>>>)))
The bass and drum is the band’s engine that everything else builds on. Everything else, the guitar, the keyboards, and the horns paint the colors.
Come On, Come Over
Mass Mental w/ Robert Trujillo, Flea
2018 — Jaco Original Soundtrack
((( Doomed )))
JAZZIZ (THE ART OF NOISE)
JAZZIZ (ARTISTS/PHOTOGRAPHERS)
MUSIC.COM (MAGAZINE)
MOVING PICTURES
Voyager (The Gold Record)
1977 — Carl Sagan‘s Cosmic Message In A Bottle.
Miles Davis (The Creator)
HOLY TRINITY OF ROCK
HOLY TRINITY OF JAZZ
When Carl Sagan was putting a “Sounds of Earth” playlist together to send into space on the Voyager satellite, he picked Chuck Berry’s “Johnny B. Goode” to represent Rock N Roll.
1978 —
1979 —
1980 — “I’m Going To New York”
Jaco Pastorius w/ Hiram Bullock
New York City Late Night — Vernon Reid introduces Jaco to Keith LeBlanc and Fletcher of Sugar Hill Records. Far from sober, Jaco sits down with Vernon, and directs what he thought would be a funny racist joke toward Fletcher. Other than being the World’s best bassist, Jaco was a Florida Cracker redneck from Fort Lauderdale. Maybe not a surprise to those who knew him, but the colorful joke got Fletcher’s attention. So stoned was Jaco, he didn’t notice that Fletcher wasn’t laughing. Thinking nothing of it, Jaco immediately slurred his way through another, and this time Fletcher grabbed his beer, and lunged aggressively toward the comedian. Keith was quick to intervene, taking the bottle from Fletcher’s hand, and saying to Jaco, still sitting next to Vernon, “Nice to meet you, Jaco … We gotta go.”
The Introduction of Jaco was over.
King Heroin
James Brown
1972 — There It Is
((( A Warning )))
yT.
David Sanborn
1988 — Sunday Night and later called, Night Music, was a late-night television show that aired for two seasons (1988-1990), and served as a showcase for Electric Jazz and the most eclectic group of talented musicians. From Miles Davis to the Red Hot Chili Peppers, David Sanborn and his house band, hosted the best of all genres, and for its time, Night Music was the coolest show on television.
1989 — Miles Davis on David Sanborn’s Night Music
Jools Holland served as Sanborn’s co-host for the first season.
Sanborn hosted solo for the second.
Night Music House Band:
David Sanborn (saxophone)
Hiram Bullock (guitar)
Jools Holland (piano)
Omar Hakim (drums)
Marcus Miller (bass)
Philippe Saisse (keyboards)
Hal Willner (music coordinator)
CoLors*…
This is a Voyage into Sound.
inst. of change [THE ELECTRIC GUITAR]
the players
INSTRUMENTS OF NOISE.
take it to the bridge
The Original Color of Sin [BLUE]
Without the electric guitar, there would be no Fusion music. — Lenny White
Electric Evolution
TRUMPETS
GUITARS
BASS GUITARS
DRUMS
KEYBOARDS
SAXOPHONES
VIOLINS
TURNTABLES
OTHERS
“Funky Obama”
Tack>>Head
JAN. 20, 2009 — Barack Obama First Inaugural
((( Real Time )))
“Airborne Ranger”
Tack>>Head
1992 — Christchurch, New Zealand
((( O )))
“Stealing”
(In The Name of The Lord)
Tack>>Head
2011 — Germany Jazz Festival
((( O )))