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BRIDGE-2-JOHNLEWIS

•OriginalNoise.Org
the players
 the bridge

 

“Amazing Grace”
Blind Boys of Alabama [1939]
2001 — Spirit of the Century
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James Karales

MARCH 9, 1965 — Two days after “Bloody Sunday,” when John Lewis was met by violent Alabama State Troopers, Martin Luther King Jr. led a march of thousands across The Edmund Pettus Bridge in Selma, Alabama, one of the most significant events in his historic effort to persuade the United States Congress to pass a bill securing voting rights for black Americans.

“Change Is Gonna Come”
Sam Cooke
1964 — Ain’t That Good News
((( Seeking Guidance )))

SelmaMarchVoteFaceBW
Young, old, black, and white, a diverse group of thousands participated in the Voting Rights march across the Edmund Pettus Bridge in Selma, and later, with Martin Luther King Jr., to Montgomery, Alabama.

*TheMarch-Bridge1

 

I thought I would die on the bridge that day.

— John Lewis (Georgia Congressman)
Recalling “Bloody Sunday”

March 21, 1965 — In a third march across the Edmund Pettus Bridge, again, thousands of Civil and Voting Rights activists, crossed the Alabama River, on their way to Montgomery. The third, less eventful than “Bloody Sunday,” two weeks earlier.

*TheMarch-Bridge2

 Georgia Congressman John Lewis was a young man who had marched with Martin Luther King Jr. and had become an important leader in group of Civil Rights Activists called The Freedom Riders. He tells of his  crossing the Edmund Pettus Bridge in Selma, Alabama, and being assaulted by Alabama State Troopers as he and the group reached the other side.

*TheMarch-Bridge3

After the crossing, John Lewis and Civil Rights activists were met by violent Alabama State Troopers on the other side of the Edmund Pettus Bridge.

*TheMarchTroopers

illustrations by Nate Powell
from John Lewis’ graphic novel “March“

After announcing that Alabama Gov. George Wallace had forbidden the march, and called the activists criminals, State Troopers deployed canisters of tear gas, smoke, and nausea gas, before physically battering the marchers and beating them back across the bridge. Pictured here, (now congressman) John Lewis, on the ground tries to protect himself from the batons Alabama State Troopers are using to beat him down further.

Two weeks after “Bloody Sunday” Martin Luther King Jr., joined by John Lewis and thousands of like-minded activists, successfully crossed the Edmund Pettus Bridge and marched their way to the Alabama State Capitol Building in Montgomery, as they had always intended.

“Freedom Highway”
The Staple Singers
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CBS

Rememberance Day — In 1965, John Lewis was a young activist in the Civil Rights Movement, and a disciple of Reverend Martin Luther King Jr. On the 50th anniversary of  “Bloody Sunday,” and his death-defying march across the Edmund Pettus Bridge, Lewis re-visited Selma, Alabama and talks to Face the Nation’s Bob Schieffer about what it was like to walk across the bridge that day.

“When Will Be Paid?“
The Staple Singers
1969 — Praying for Peace in a violent time.
((( seeking justice )))

Mother and Child United — (Selma residents) watched as Martin Luther King Jr. and his Voting Rights followers passed through their neighborhood, marching toward the Edmund Pettus Bridge.

 

(*LyndonJohnsonMartinLutherKingJr.-VotingRightsAct-SML

In The White House

August 6, 1965 — After signing the Voting Rights Act  U.S. President Lyndon B. Johnson presented Martin Luther King Jr. with the pen with which he had signed the document. [READ MORE]

 

“Mississippi Goddamn“
Nina Simone
2015 — The Bura

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PBS

FREEDOM RIDERS:
The American Experience (PBS)

“Mississippi Goddamn” — NINA SIMONE said later that she considered “Mississippi Goddamn” her “first civil rights song.” Written in less than an hour, Simone said the song emerged in a “rush of fury, hatred, and determination,” as she “suddenly realized what it was to be black in America in 1963.”

The song was released on her album Nina Simone in Concert in 1964, which was based on recordings from three concerts she gave at Carnegie Hall earlier that year. The album was her first release for the Dutch label Philips Records and is indicative of the more political turn her recorded music took during this period.

The Story of Greenwood, Mississippi
1964 — Produced by The Student Non-Violent Coordinating Committee
The laughs came because Dick Gregory was fearless in the delivery of his hard-truth, anti-racist message to a mostly white, TV-watching audience. Gregory’s popularity grew fast. His reputation was as one of the best stand up comedians working in the early 1960s, and even better when considering his seriously addressing the racial inequality he saw everywhere around him. Gregory was always funny, thoughtful, and true. When he met Medgar Evers in 1962, his anti-racism mission became absolute.

Dick Gregory & Medgar Evers — Spoken word recording of the Civil Rights activists on a Smithsonian Folkways Recording, featuring Greenwood, Mississippi, the heart of the movement in 1965.

Eyes on the Prize:
America’s Civil Rights (1954–1965)

The time between the United States Supreme Court’s Brown v. Board of Education ruling (1954) to the Selma to Montgomery Marches (1965).
Six episodes aired, January 21 to February 25, 1987.

Eyes on the Prize II:
America at the Racial Crossroads (1965–1985)
The time between the emergence of Malcolm X (1964) and the election of Harold Washington as the first African-American mayor of Chicago (1983).
Eight episodes, aired January 15 to March 5, 1990.

SELMA (THE MOVIE)

GREEN BOOK — Green Book builds a feel-good comedy atop an artifact of shameful segregation. Yikes … The movie is named after the early ’60s guides published for black travelers in America’s segregated South. But its spin is all Hollywood. — Vox.com
The Bomb felt ’round the World
BLACKBIRDS SINGING IN THE DEAD OF NIGHT

(BIRMINGHAM)Blue Was Angry
1851 — The Great Escape (Across The Red River)
FREDERICK DOUGLASS (FIRST TO SPEAK FREELY)
W.E.B. DU BOIS
JOHN BROWN (HARPER’S FERRY)
UNDERGROUND RAILROAD (Alt. 1)
UNDERGROUND RAILROAD (Alt. 2)SELMA (THE MOVIE)
MANY RIVERS TO CROSS: THE AFRICAN AMERICANS (PBS)
NATIONAL VOTING RIGHTS MUSEUM
THE EDMUND PETTUS BRIDGE (MAP)
John Lewis
A LIFE CROSSING THE BRIDGE
Mavis Staples —  In the 2010s, anytime he had the chance, (The Artist Formerly known as) Prince invited Mavis Staples, one of his musical idols, to join him and his band on any stage, and anytime she was willing.“Down In Mississippi”
Mavis Staples
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“Many Rivers to Cross”
Joe Cocker
Sheffield Steel
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“Many Rivers to Cross”
Blind Boys of Alabama
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“Mississippi Goddamn“
Nina Simone
 Nina Simone in Concert
1964
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Ain’t My Cross To Bear
The Allman Brothers (Beginnings)
Duane Allman
Muscle Shoals
w/ Aretha Franklin
Sweet Home Alabama b/ Lynyrd Skynyrd
Pack Up The Plantation b/ Tom Petty
The Outlaws
MOFRO
Miami Sound Machine
SUÉNALO
PALO
Spam All Stars
Mavericks
JIMMY BUFFETT
Criteria Studios
TOM DOWD: THE LANGUAGE OF MUSIC
DEREK & THE DOMINOS
LAYLA
461 Ocean Boulevard
Chicago
Bee Gees
James Gang Miami w/ Tommy Bolin
Hit Factory 
Al Di Meola
Marlin Hotel
Island Records
Ford Modeling Agency
Miami Soundscape Park
Will Calhoun w/Miami Symphony Violins
Miami Beach Under The Stars
Return To Forever (2008)

THE WONDERFUL WORLD OF LIVING COLOUR
THE BRIDGE ( PG 1.)

“Bridge of Sighs“
Robin Trower
Bridge of Sighs
1974 —
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Amanda Gorman ’20, the first Youth Poet Laureate of the United States, is pictured in Harvard Yard at Harvard University. Stephanie Mitchell/Harvard Staff Photographer

CBS (2015)

Rememberance Day — In 1965, John Lewis was a young activist in the Civil Rights Movement, and a disciple of Reverend Martin Luther King Jr. On the 50th anniversary of  “Bloody Sunday,” and his death-defying march across the Edmund Pettus Bridge, Lewis re-visited Selma, Alabama and talks to Face the Nation’s Bob Schieffer about what it was like to walk across the bridge that day.

dave hogerty (originalnoise.org)

Freedom Sounds — Living Colour, along with Public Enemy and The Roots, were invited to play a concert (FREEDOM SOUNDS) at the opening of elebrating the opening of The Smithsonian Institute’s Museum of African American Arts & Culture (September 24, 2016). Living Colour and the others closed the day, playing on a stage artistically positioned in the shadow of the Washington Monument. Earlier that afternoon, Barack Obama, in one of his last speeches as president of the United States, dedicated the museum before an anticipatory crowd that filled the west end of Washington D.C.’s National Mall.