•OriginalNoise.Org
the players 
No Sell Out
Keith LeBlanc
1984 — Malcolm X ( 12″)
(((the original hip-hop beat )))
sg.
BERNARD FOWLER [PT1]
BERNARD FOWLER [PT2]
Artists United Against Apartheid
Steven Van Zandt
Arthur Baker
Miami Vice
Live Aid
1985 — Mick Jagger & Tina Turner
Queen
Farm Aid
We Are The World
Michael Jackson
Lionel Richie
Quincy Jones
1985 — Mick Jagger
She’s The Boss
Jeff Beck
Cause We Ended As Lovers
Jeff Beck
w/ Doug Wimbish (Bass)
1986 — Live In Japan
((( >>> )))
Brothers of Sodom
Young Americans (Taking Mick for a Ride)
taking Mick Jagger for a ride
Mick Jagger (Lead Vocals)
Joe Satriani (Lead Guitar)
Doug Wimbish (Electric Bass Guitar)
Simon Philips (Drums)
Susie Davis (Keyboards)
Phil Ashley (Keyboards)
Jimmy Rip (Guitar)
Bernard Fowler (Backing Vocals) Carol Kenyon, Jenny Douglas, Linda Moran, Valerie Scott.
w/ Joe Satriani (The Extremist)
Doug Wimbish
Simon Phillips
Jimmy Rip
Susie Davis
Tina Turner (TOKYO/ AUSTRALIA).
They called it Mick’s “solo” career, but the three years after Keith and Mick announced the end of The Rolling Stones in 1985, represented a short was more a wild ride but we know now, that it was actually just a little longer than usual argument between Mick and Keith. At the time, the Rolling Stones were preparing for their Steel Wheels (reunion) Tour, and most media was saying Mick’s “solo” career had been unsuccessful, and that was made the reunion possible. Of course they weren’t listening. For those who were looking, they saw Mick pushed back in his seat, as a group of Young Americans took him on the most Wild, E-Ticket Rides.
w/ Doug Wimbish
Jan Hammer
Simon Phillips
Jan Hammer
Simon Phillips
Steve Lukather
Cause We Ended As Lovers
((( Jeff Beck )))
Joe Satriani* Not Of This Earth
1987 — Hail! Hail! Rock N Roll
Chuck Berry
Keith Richards
Eric Clapton
1987 — James Blood Ulmer
America — Do You Remember the Love?
STETSASONIC “A.F.R.I.C.A.”
What’s Bootsy Doin’?
1989 — Friendly as a Hand Grenade
“Break Out The Bubbly”
Bernard brings Rhythm & Blues to Tack>>Head, and makes it clear that the band was Always American.
1989 — Steel Wheels
“Change”
Tack>>Head
1990 —Strange Things
((( ! )))
1989 — Bill Hicks
Truth Be Told
What’s So Funny?
True Believer
The Resurrection
CoLors*…
This is a Voyage into Sound.
inst. of change [THE ELECTRIC GUITAR]
the players
INSTRUMENTS OF NOISE.
take it to the bridge
The Original Color of Sin [BLUE]
Hip-Hop Happens
1979 —
THE ORIGINAL SUGAR HILL RHYTHM SECTION
Skip “Little Axe” McDonald (guitar)
Doug Wimbish (bass)
Keith LeBlanc (drums)
Living Colour
Tack>>Head
Little Axe (Skip McDonald)
Bernard Fowler (vocals)
1980s — JUST SAY NO
1980 — The Year the Music was Murdered.
1981 — Columbia (Inaugural Space Shuttle)
1982 — No Nukes
Central Park June 12, 1982
Unity (1983)James Brown w/ Afrika Bambaataa
1984 — Unity (The Third Coming)
((( B-Boy Funk )))
Style Wars (1983)
Tom Silver’s documentary movie (Style Wars) focused on New York City’s first graffiti artists, the “writers” who created the B-Boy culture aesthetic. Along with the “MCs” and the “Breakdancers,” the “writers” first defined the movement that started in New York’s five Boroughs, and grew into the musical phenomenon of the New Millennium.
Hollywood’s depiction of the B-Boy Culture that had surfaced in the parks and abandoned buildings in and around New York City’s Five Burroughs.
FREE TO THE PUBLIC — After being created under cover of the night, New York City Graffiti shows itself on the subway trains as they emerge, and run across all five New York City Boroughs. Depending upon how you saw it, Graffiti was either an act of vandalism, or a rolling exhibit of fine art.